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THE BIBLIO FILE is a podcast about "the book," and an inquiry into the wider world of book culture. Hosted by Nigel Beale it features wide ranging, long-form conversations with best practitioners inside the book trade and out - from writer to reader. Why listen? The hope is that it will help you to read, write, publish, edit, design, and collect better, and improve how you communicate serious, big, necessary, new, good ideas and stories...

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Aug 3, 2018

Born in 1931, Jerome Rothenberg is an American poet, translator and anthologist, noted for his work in the fields of ethnopoetics and performance poetry. 

This from Wikipedia: 

Technicians of the Sacred (1968), which signalled the beginning of an approach to poetry that Rothenberg, in collaboration with George Quasha, named “ethnopoetics,” went beyond the standard collection of folk songs to include visual and sound poetry and the texts and scenarios for ritual events. Some 150 pages of commentaries gave context to the works included and placed them as well in relation to contemporary and experimental work in the industrial and postindustrial West. Over the next ten years, Rothenberg also founded and with Dennis Tedlock co-edited Alcheringa, the first magazine of ethnopoetics (1970–73, 1975ff.) and edited further anthologies, including:- Shaking the Pumpkin: Traditional Poetry of the Indian North Americas (1972, 2014); A Big Jewish Book: Poems & Other Visions of the Jews from Tribal Times to the Present (revised and republished as Exiled in the Word, 1977 and 1989); America a Prophecy: A New Reading of American Poetry from Pre-Columbian Times to the Present (1973, 2012), co-edited with George Quasha; and Symposium of the Whole: A Range of Discourse Toward An Ethnopoetics (1983), co-edited with Diane Rothenberg. Rothenberg’s approach throughout was to treat these large collections as deliberately constructed assemblages or collages, on the one hand, and as manifestos promulgating a complex and multiphasic view of poetry on the other. Speaking of their relation to his work as a whole, he later wrote of the anthology thus conceived as “an assemblage or pulling together of poems & people & ideas about poetry (& much else) in the words of others and in [my] own words. That imago – that representation of where we've been and what we've lived through – is something in fact that I would stand by – like any poem.”

...along with Nicholson Baker, Robert Graves and Laura Riding, pretty well summarizes what we talk about.