Mon, 23 March 2009
Poet,
author, Priscila Uppal, an English professor too at York University,
challenges traditional psychological and anthropological models of
mourning in her new book We Are What We Mourning: The Contemporary English-Canadian Elegy, suggesting that Canadians mourn differently. Traditional
models define successful mourning in terms of detachment from the loved
one who has died; the ability to cut the strings of grief, and to step
into the roles of mothers and fathers vacated by the dead. To become
unnecessarily identified with grief and death is, according to
traditional views, to fail at mourning. To succeed - to maintain
health- one must ‘move on;’ accept that the dead are gone; celebrate
the fact that they are in heaven. All of this Uppal debunks. After
reading thousands of Canadian elegies she concludes that mourning, at
least in late 20th century Canada, is not about forgetting, but about
claiming identity. You are, she says, what you mourn. And we,
apparently, mourn our parents in elegies to a much greater extent than
do others in the U.S. and U.K., for example, who tend to mark the death
of youth more frequently with this poetic form. Many
immigrants to Canada didn’t know their parents very well; didn’t know
their countries of origin, didn’t learn much about their traditions. In
order to take over the roles their parents played - to learn about
themselves - many have used mourning as a way to create and recreate
the past; as a means to carry on into the future. Art - the elegy - is
used as a way to attached to the past, and to connect and incorporate
it into the present. What you mourn - what it is you are upset about
losing - will determine, according to Uppal, how you see history. We talk about all of these topics, why and how the work of mourning has so drastically changed in Canada during the latter half of the twentieth century, why the contemporary English-Canadian elegy emphasizes connection rather than separation between the living and the dead. Please listen to a ‘lively’ conversation here: Copyright © 2009 by Nigel Beale. www.nigelbeale.com Comments[0] |


